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Review • The Cornishman
Performed
for the first few minutes at least, and rather surprisingly following
such a wild and wet weekend, beneath both the sun and the moon,
the setting was well nigh perfect on Bank Holiday Monday for the
BROS Theatre Company's production of Man of La Mancha which revolves
around the two extremes of reality and pretence. A Broadway musical
of the 1960s, written by Dale Wasserman, based on his TV play I,
Don Quixote and adapted from the novel by the Spanish author and
dramatist Miguel de Cervantes Saavedra, with lyrics by Joe Darion
and music by Mitch Leigh, its plot is almost as surprising as the
weather.
A play within the play, its pervading fear of the Inquisition, its pursuit of
The Impossible Dream and man's spiritual need for illusion, its essential sadness
and its attempts to answer the imponderable - why does one do the things that
one does?
A million miles from The Sound of Music it needs careful handling to make it
work and, fortunately, it gets just that from director Wesley Henderson Roe who,
with the assistance of musical director Shaun Critten and choreographer Melanie
Edwards, bravely shifts its balance from being solely about the Knight of the
Woeful Countenance and his sidekick Sancho Panza to being about all of their
fellow prisoners.
To achieve this he comes up with a group of people, each of whom, in turn, is
a million miles away from the traditional member of the chorus.
While they ensure that there is a great deal happening on stage, so many stories
being told, they are so good at it that they never detract from the main action
but enhance it. While Bryan Cardus as the gentle, dreaming Knight Errant and
eponymous, Man of La Mancha, Andy Clarke as his bugle-playing, devoted Sancho
'I Like Him' Panza, Sue Astbury as his spirited, 'What Does he Want of me?',
dream girl Dulcinea, Carl Smith as the 'To Each His Dulcinea' and psalm singing
Padre, Jonathan Simmons as the prison's singing barber, and Edz Barrett as the
sparkling, not to say dazzling, Knight of the Mirrors, are all pleasing.
They are evenly matched by the medley of muleteers, ably led by Loz Keal, Moorish
singers and dancers, publicans, prostitutes and prisoners, who accompany them
on their Iberian-flavoured and mad adventures.
Ensemble playing at its very best, rarely has a supporting cast played such
a cohesive, important and impressive role.
As the optimistic Don Quixote would have it - come one, come all, indeed!
Frank Ruhrmand
The Cornishman
Public Testimonials
Just
to say "Thank-you" to you all at The Minack for a wonderful
show last night. It was brilliant.
Yes, it rained but
that didn't spoil an excellent performance and top marks to
the actors who kept going throughout the evening!
Thank-you
for putting on such wonderful shows. How fortunate we are!
Kind
regards,
Steve
and Lorraine Hobden
We
were at Wednesday's matinee performance, another splendid show
(we saw Kiss Me Kate too).
It
might take another two years, but we look forward to another
show at the Minack, thank you for a wonderful afternoon's entertainment.
Jim
and Linda (Bristol) George and Heather (Lynton)
Long
been a favourite of ours since we saw the film version and were
hoping we would not be disillusioned with a live amateur production.
The
Minack theatre was an exceptional setting and the show itself was
everything we had hoped for. Many congratulations to
all involved in the production.
Long may you continue to
bring the stage to life.
Karen & Michael
Groves (Derby)
I just wanted to write and say how fantastic I thought the production
of Man of La Mancha was having visited the Minack Theatre in Cornwall
recently. Not only was I gob-smacked by the environment that makes
the Minack such a great place but a perfect evening was ensured
by the brilliant cast who made me laugh no end. Bryan Cardus and
Andy Clarke’s trotting around on the hobby horse was hysterical!
Despite the cold rain I was totally glued to the performance which
was made even more pleasurable by the wonderful band and good acoustics.
I thought the musical score was lively and exciting and it certainly
added a great deal to the show.
I shall be recommending BROS to my friends and family in London!!
Please pass on my comments to your team.
Kind Regards
Chris Brown (Norwich)
| The Cast |
| Don Quixote |
Bryan Cardus |
| Sancho Panza |
Andy Clarke |
| Aldonza / Dulcinea |
Sue Astbury |
| Govenor |
Charles Halford |
| Padre |
Carl Smith |
| Doctor |
Edz Barrett |
| Antonia |
Claire Smith |
| Housekeeper |
Susan Sworn |
| Innkeeper |
Chris Morris |
| Maria |
Janet Simpson |
| Pedro |
Loz Keal |
| Barber |
Jonathan Simmons |
| Captain of the Guard |
Tony Makepeace |
| Gaoler |
Ian Nethersell |
Muleteers/ensemble:
Ian Bennett, Guy Chaperlin, Alan O'Shea, Tim Parish,
Veronica Callow, Paul Murphy, Dieter Thomas
Dancers/ensemble:
Sylvie Barlow, Veronica Callow, Cathy Makepeace,
Juliet Manners, Helen Shore, Gita Singham-Willis, Karen Swift
Actor/Singer ensemble:
Bridgette Conway, Katie Gagen, Cherry Gulati, Caroline
Hayes, Kerry Sampson, Lynne Shirley, Sian Walters, Lotti
Walker, Fiona Hedger-Gourlay
Inquisition Guards:
Jonathan Blane, Drew Barnes, Jonathan Simmons, Tim
Hedger-Gourlay, Will Brooks |
| The
Band |
| Conductor & Keyboard |
Shaun Critten |
| Trumpets |
Ian Williams & Kirsten Hagen |
| Flute |
Liz Vosper |
| Oboe |
Malcolm Andrews |
| Trombones |
David Nicholas & Kevin Dower |
| Percussion |
Ben Brooker & Robbie Brockenshire |
| Clarinet |
Sarah Ableman |
| Bassoon |
Lynne Ayton |
| Horns |
Ian & Jenny Vosper |
| Bass |
Sian Kelly |
| Guitar |
Peter Bone |
| The Production Team |
| Director |
Wesley Henderson-Roe |
| Choreographer |
Melanie Edwards |
| Musical Director |
Shaun Critten |
| Designer |
Wesley Henderson Roe |
| Production Managers |
Eric & Claire Williams |
| Assistant Directors |
Tony Makepeace & Lizzy Ross |
| Stage Manager |
Jane Bean |
| Stage Crew |
Drew Barnes & Ian Nethersell |
| Props |
Veronica Martin & Helen Smith |
| Costume Co-ordinator |
Wendy Godwin |
| Assisted by |
Zoe Harvey-Lee |
| Lighting Design |
Rob Arundel |
| Follow Spot Operators |
Melanie Edwards
David Maidment
(Land’s End)
Tony Pike (Suicide Rock)
Eric Williams |
| Sound Design & Operation |
David & Ross Gates |
| Wigs & Make-up |
Louise Turnbull & Dieter Thomas |
| Dance Captain |
Edz Barrett |
| Front of House Manager |
Clare Henderson Roe |
| Assisted by |
Members of the Company |
| Fit-Up Tech Crew |
Mike Bradbury
Jonathan Blane
Sam Crook
Simon X |
| Van Driver |
Drew Barnes |
| Programme Design |
Wesley Henderson Roe & Ian
Ferguson |
| Programme Realisation |
Pro-creations.co.uk |
| Costumes |
Costume Workshop, Isle of Wight & the
company |
| Props Hire |
Trading Post |
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