|
Review • The Cornishman
With truly "Wunderbar" weather, a capacity Bank Holiday audience,
whose sense of anticipation was all but tangible and whose expectations,
like those of Dickens, were great, plus the music and lyrics, not
to mention magic, of Cole Porter and a company raring to go for Another Op'nin',
Another Show, the BROS Theatre Company's production of Kiss Me Kate had to
be a winner.
Reckoned to be Cole Porter's own favourite show, one which opened
in New York's New Century Theatre 57 years ago and has since been
acclaimed as "one of the masterpieces of American musical
theatre", its story line - not to be studied too closely or
taken too seriously - owes a lot to Shakespeare's The Taming of
the Shrew and revolves around the on and off stage conflict between
the actors playing Kate and Petruchio during a try out of the play
in the Ford Theatre in Baltimore.
A play within a play, it presents problems in production, all
of which director Wesley Henderson Roe, with the help of choreographer
Melanie Edwards, musical director Martin Wilcox, and a huge back
stage crew, copes with admirably to come up with a show which is
as appealing and assured, and on occasion, as aggressive, as it
is Too Darn Hot.
The big numbers in Cole Porter's brilliant score - one feels
that the Bard himself would have been proud to have written some
of these songs - are put over with pizzazz, and all praise to the
company's energetic and eager troupe of hoofers, so, too, is the
solo spot, Lucy Clement's rendering as the dumb and dizzy blonde
Lois (Bianca) of Always True To You In My Fashion, and the duet
by the pair of hoods, the amusing "Mickey Mice", Paul
Kirkbright (Ripper) and Lawrence Keal (Knuckles), with their encore
entreating, show-stopping Brush Up Your Shakespeare.
Ultimately, however, the show stands or falls on the standard
of performance given by the protagonists in this battle of the
sexes, and the company is fortunate in having two such fiery opponents
as Sue Astbury as Lilli (Kate), who delivers her solo I Hate Men
with relish and rage, and Bryan Cardus as Fred (Petruchio), who
Wives It as wonderfully as he does Wealthily In Padua.
A couple in real danger of doing themselves an injury before
the week is over, they slug it out, slapping, kicking and kissing,
one another with gusto - their amalgam of clowning, choreography
and timing, in the extremely physical Were Thine That Special Face
is first-rate. While I'm still not sure who won this particular
battle, or even the war eventually, it hardly matters. Long before
the curtain comes down, they do more than enough to ensure that
this production, from its ingenious programme to their final embrace
and kiss, is, in every sense, a "spanking" success and
a victory for the BROS Theatre Company.
Frank Ruhrmund
The Cornishman
Public Comments
"Last Friday afternoon I had the immense pleasure of attending
your production of "Kiss Me Kate" at The Minack. I frequently
go to the theatre in London and elsewhere but I can scarcely remember
enjoying any show quite as much as yours. There were 5 of us in
our group and the weather was superb. But above all else your players
were simply brilliant. In fact I fell in love with all those lovely
girls!! I always envy you.. I, as a dentist, have always inflicted,
at the very least, discomfort and misery on the public but you
give such joy and pleasure!!! Congratulations to all your company
on such a magnificent show".
"My wife and I visited your show last Thursday, Kiss Me
Kate at the Minack theatre, what a show!!! please send our congratulations
to all the cast for a superb performance on a cold evening on a
cliff!! it takes great dedication to sing, in your underwear, It's
too darn hot!!! If you ever plan a trip to Minack again, email
me please.All the singers and dancers were stunning, if that's
what amateurs can do put em on the tele, give us some real entertainment
many thanks for making my second visit to a show at the minack
such a memorable one, my first visit was over forty years ago,
with keynsham youth centre, I was about 19 or so, we saw dark side
of the moon, I cant remember any of the show, but, I remembered
minack! it was wonderful to be back. again my thanks to all involved "
"Good afternoon. Just a quick note to thank your company
for the marvellous production of Kiss Me Kate at the Minack last
week. Given the location and facilities the company were brilliant
and so enthusiastic. Please keep coming back to Cornwall and I
trust that all the members returned with fond memories of their
time here. Thank you once again"
"Please could you pass on my congratulations to your company
for an outstanding production of Kiss Me Kate down at the Minack.
I really enjoyed it. In particular I was very impressed by the
lady playing Kate/Lilli. Please could you pass on my email details
to her since I am very interested in contacting her to see whether
she would be interested in performing elsewhere."
Various
| The Cast |
Fred Graham / Petruchio |
Bryan Cardus |
Lilli Vanessi / Kate |
Sue Astbury |
Lois Lane / Bianca |
Lucy Clement |
Bill Calhoun |
Howie Corlett |
Gangsters |
Paul Kirkbright & Lawrence
Keal |
Harrison Howell |
Charles Halford |
Harry Trevor / Baptista |
Andy Yeates |
Suitors (x2) |
Mark Burgess & Mark
Stewart |
Hattie |
Jane Poole-Wilson |
Paul |
Edz Barrett |
Ray (Stage Manager) |
Lynne Shirley |
Dancers:
Clare
Burgess, Veronica Callow, Rachel Hughes, Helen Lowe, Cathy
Makepeace, Juliet Manners, Debbie McDowell, Gemma Melhuish,
Claire O'Dell, Claire Ward-Dutton, Fiona Weir, Denise Truscott
Chorus:
Michelle Fittus, Fiona Hedger-Gourlay, Tim Hedger-Gourlay,
Lizzy Ross, Janet Simpson, Angela Sturgeon, Jim Trimmer, Spencer
Jones, Mark Wakeford
|
| The Production Team |
Director |
Wesley Henderson
Roe |
Musical Director |
Martin Wilcox |
Choreographer |
Melanie Edwards |
Production Manager |
Claire Williams |
Lighting Designer |
Rob Arundel |
Stage Manager |
Eric Williams |
Sound Design |
David Gates |
Wardrobe |
Sian Walters |
FOH Manager |
Clare Henderson
Roe |
|