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Review • John Thaxton
Ladies’ Night
Faced with the lack of a half-pint hoofer
with golden tonsils to play Joey – the hero as a heel in Rogers and
Hart’s
Pal Joey – Barnes and Richmond Operatic Society should surely
have re-thought plans to stage the show in a double bill with this
week’s Mr Cinders.
Jeremy Newton is tall, dark and reasonably handsome; he has an
easy upfront manner with an audience and wears his costumes well.
But while a loose-limbed insouciance looks perfectly okay in the
choral numbers, Joey’s solo spots highlighted untutored footwork
and tested his ability to hit a note spot on.
Perhaps the two-show format has overstretched BROS resources.
But Malcolm Chiltern’s production, while sometimes roughing
up John O’Hara’s original book ingeniously fitted night
club routines into the tiny Parkshot Studio, and proved to be a
ladies’ night.
The exquisitely tacky routines were choreographed by Jo Henwood,
who joined the chorus line in neat polka-dot hotpants, to share
the limelight with lively Cathy Early, Katy Hart, Dorne Hill, Sonia
Raymond, Barbara Thomas and Lesley Withair – bless them all.
Angela Sturgeons amazingly laid back Mrs Simpson sent shiver after
shiver up my spine with What is a Man? And a hard edged but finely
honed Bewitched. And Mandy Stenhouse surprised and delighted even
those familiar with Melba’s Zip strip song; ice cool eroticism
and a deadpan panache that deservedly won her a special round at
curtain call.
I never grow tired of watching Anne Campbell, whose fine features
and fair beauty lent an innocent poignance to her Write a Book
and Take Him duets, as the long suffering Linda who gets the brush
in the cynical closing moments of the show. Carl Smith pleased
as the shrinking Victor taking Louis’s tenor spot in the
Flower Garden routine; John Boult played Chicago conman Ludlow
as a Seventh Avenue barrow boy, squiring Claire Godwin’s
blonde-wigged Gladys; and Richard Matthiae did a nice cameo as
a Jewish tailor. And special praise for Peter Holt’s three
piece orchestra, discreetly tuneful and supportive.
John Thaxter
Richmond & Twickenham Times Friday May 17th 1991
| Cast |
| Joey Evans |
Jeremy Newton |
| Mike Spears |
Robert Salter |
| Gladys Bumps |
Claire Godwin |
| The Kid |
Katy Hart |
| Sandra |
Dorne Hill |
| Dolores |
Jo Henwood |
| Valerie |
Lesley Whithair |
| Adele |
Cathy Early |
| Diana |
Barbara Thomas |
| Marilyn |
Sonya Raymond |
| Linda English |
Anne Campbell |
| Vera Simpson |
Angela Sturgeon |
| Waldo |
Berni Messenger |
| Ernest |
Richard Matthiae |
| Victor |
Carl Smith |
| Melba Snyder |
Mandy Stenhouse |
| Ludlow Lowell |
John Boult |
| Deputy Commissioner O’Brien |
Iain Calder |
| Nightclub Patrons |
Carol Bartlett, Chris Campbell,
Richard Dunn, Wendy Howard, Teresa Stevens |
| The Orchestra |
| Piano |
Peter Holt |
| Double Bass |
Adrian Warrick |
| Drums/Percussion |
Graham Reader |
| The
Production Team |
| Directorr |
Malcolm Chilton |
| Musical Director |
Peter Holt |
| Choreographer |
Jo Henwood |
| Stage Manager |
Beryl Yorath |
| Production Co-ordinators |
Gavin Morgan, Carl Smith |
| Costumes |
Sue Buxton, Jenny Allen |
| Set Design & Construction |
Malcolm Chilton & society
members |
| Lighting Design |
Malcolm Chilton |
| Lighting operation |
Amanda Lean |
| Props supervision |
Kate Buxton |
| Prompt |
Emma Antoine |
| Box Office |
Caroline Skinner |
| FOH Manager |
Helen Jenkins |
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