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Overview
This production was staged under the company name of Thorn In The Side (TITS)
but was to all intents and purposes a (BROS) event.
The archivist
understands that the company name was chosen as a dig at the incumbent
BROS Committee for failing to sanction a suitable alternative show
at this time. More details anyone?
TITS' Awakening
If memory serves the idea was born during rehearsals
for Oklahoma where Margaret Boughton and I played Laurie & Aunt
Ella. We approached the committee with a request to do Chicago but
they felt it was not a suitable vehicle for 'our ladies' so we
decided to put it on ourselves.
We met with quite a lot of resistance
from the committee which is why we chose the name Thorn in the
Side not realising that it came out rather appropriately as TITS.
We
invited the cast to play specific roles and had a wonderful MD
in Carl Smith. The original director was to have been John Hebden,
but when he had to back out I asked Jessica if she was willing
to direct for us.
We had no money so everyone involved chipped
in to a kitty and were repaid at the end with a handsome profit.
I persuaded the manager of the Bull to let us turn his ballroom
into a nightclub type venue and thankfully the whole thing
was a great success.
Tricia Vandepeer
| The Cast |
| Velma Kelly |
Angela Sturgeon |
| Roxie Hart |
Margaret Boughton |
| Fred Casely |
Andy Yeates |
| Sergeant Fogarty |
Mark Holliday |
| Amos Hart |
Richard Matthiae |
| M C |
Andy Yeates |
| Liz |
Helen Jenkins |
| Annie |
Marion Alais |
| June |
Mandy Stenhouse |
| Hunyak |
Sonya Raymond |
| Mona |
Sue Brittle |
| Martin Harrison |
Peter Campbell |
| Matron |
Patricia Vandepeer |
| Billy Flynn |
Steve Alais |
| Tailor |
Dave Evans |
| Mary Sunshine |
P T Barnett (Peter) |
| Go-To-Hell Kitty |
Suzanne Yeates |
| Harry/Aaron/The Judge |
Mark Holliday |
| Court Clerk |
Martin Dale |
Dancers & Reporters:
Merion Ganjou,
Anne Tustin, Yvonne Sibbald, Barbara Thomas
Brian Picknett |
| The Production Team |
| Producer |
Jessica Joyce |
| Musical Director |
Carl Smith |
| Designer |
David Casey |
| Stage Manager |
Trevor Marland |
| Lighting Design |
Ralph Bramley |
| Lighting Operators |
Renta-Crew |
| Costume Co-ordinator |
Pauline Kendrick |
| Props |
Trevor Marland, Peter Sporle, Judith Vandepeer & The
Company |
| Prompt |
June Torrilla |
| Production Assistant |
Judith Vandepeer |
| Front of House Manager |
Roger Roseboom |
| Publicity |
Anne Tustin |
| Box Office |
Suzanne Yeates |
| Set Construction |
David Casey & Trevor Marland |
| bAND |
| Keyboards |
David Jones & Ken McCarthy |
| Reeds |
Nigel Keates & Chris Gardner |
| Brass |
Andy Henderson & Darren Maplethorpe |
| Bass |
Tim Amherst |
| Percussion |
Ian Hodges |
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| Acknowledgements |
| Rehearsal Venues |
Landlord & Staff of The Bull & Richard
and Mandy Matthiae |
| Additional Props |
Sally Goodey (Taste Misplaced) |
| Hairdressing |
Jacky Seabrook |
| Rehearsal Pianists |
Nick Beedham and others |
| Music Stands |
Twickenham Operatic Society |
| Piano |
Chappell of Bond Street |
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